Bianca Treviño (b. Mexico/USA) is a visual artist based in Zürich whose practice explores cycles of transformation, globalization, and ecological fragility. Working across drawing, sculpture, installation, and socially engaged projects, her work examines the interconnectivity of natural systems and human consumption.

Her long-term platform Wild Extinction spans educational booklets, hand-printed textiles, and animal drawings adapted into stained glass concepts for hospitals and schools. Parallel to this, Treviño’s sculptural practice investigates material cycles: ephemeral land works designed to disappear, and glacier-inspired forms crafted from glass, salt, coal, crystals, wax, and wire.

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Treviño has developed community collaborations internationally, including Alchémia—a soap-making initiative with women near cacao farms in West Africa—and Jumpers for Education, a textile project funding children’s schooling.

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Educated in Landscape Architecture and Fine Arts (West Virginia University), she also studied Chinese scroll painting at the Nanjing Art Institute. Her practice reflects a global journey through China, South America, West Africa, and Switzerland.