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Bianca Trevino (b. Mexico/USA) is an international visual artist whose practice investigates the intersection of environment, human experience, and cultural identity. Working across drawing, painting, sculpture, and installation, she translates observation, material experimentation, and lived experience into immersive visual narratives.

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Her long-term series Wild Extinction documents endangered species through drawings, textiles, and educational works, bringing attention to fragile ecosystems worldwide. Parallel to this, her sculptural practice explores material cycles and environmental impermanence, from ephemeral land works to glacier-inspired forms crafted from glass, wax, salt, and wire.

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Trevino’s work is rooted in geometry, color, and pattern. Drawing on the vibrancy of her Mexican heritage and a global journey across Africa, Asia, and South America, her compositions reveal connections between identity, migration, and natural systems.

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Her socially engaged projects include Alchémia, a soap-making initiative supporting women near cacao farms in West Africa, and Jumpers for Education, a textile project funding children’s schooling. Educated in Landscape Architecture and Fine Arts (West Virginia University), with additional study of Chinese scroll painting at the Nanjing Art Institute, she blends technical rigor with experimental practice.

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Through her work, Trevino examines the interconnectivity of people, places, and fragile systems—inviting viewers to consider resilience, hybridity, and the forces that shape our world.

Selected Exhibitions & Projects

2024 – Established new studio in Zürich, Switzerland.

2016 – Wild Extinction, Vernissage at The Hub, Geneva, Switzerland (450+ visitors opening day).

2014–Present – Wild Extinction: long-term project combining drawing, publishing, design, and sculpture to raise awareness of endangered species. Expanded into:

  • Educational magazine (A4 booklet for children, distributed via Amazon, used in classrooms internationally).

  • Hand-printed t-shirts and wall adhesives.

  • Animal illustrations adapted into stained glass proposals for hospitals, schools, and zoos.

  • 2012–Ongoing – Who I Used to Be, Who I Was, Who I Thought I Was, Who I Wasn’t (sculpture series). Sculptural reflections on identity, memory, and transformation over time, questioning how self-perception evolves through lived experience.

  • 2012 – Extremes (Mexico): portrait series exploring cultural and ecological dualities. Figures combined glacial heads, African-inspired neck jewelry, and Western faces, reflecting contrasts between consumption and preservation.​

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Sculpture & Material Research

2021–Present – Development of a sculptural practice informed by cycles of disappearance and transformation.

  • Land Art works created with natural, ephemeral materials, designed to dissolve back into the environment.

  • Glacier-like sculptures using experimental combinations of glass, salt, coal, crystals, wire, plaster, and wax, reflecting on melting ice, mineral extraction, and climate change.

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Residencies, Research & Social Practice

2018–2020 – Based in Benin & Togo, West Africa.

  • Lived near Lomé port, observing the flows of global overconsumption and shipping.

  • Founded Alchémia: a soap initiative developed with women near cacao farms, transforming traditional black soap-making into a sustainable practice that converts waste into ecological products, generating additional income for local communities.

  • Expanded Jumpers for Education (est. 2018): children’s clothing project using Beninese cotton and overstock fabric, hand-dyed in unique patterns. Each garment funds one child’s schooling for a year.

2015 – Designed sustainable bags with Southeast Asian artisans using natural leaves. Focused on impermeability, texture, and contemporary form. Exported internationally.

2008–2013 – Research travels in South America and Asia, investigating lithium mining, salt economies, and the effects of overconsumption.

2006 – Studied traditional Chinese scroll painting at the Nanjing Art Institute & Central Academy of Fine Arts (Beijing). Traveled to 16 cities across China to learn directly from master artists.

 

Education

2010 – West Virginia University, BS in Landscape Architecture, Magna Cum Laude

2010 – West Virginia University, BFA in Painting, Magna Cum Laude

2006 – Nanjing Art Institute & Central Academy of Fine Arts (China), Chinese Scroll Painting

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